
[from the archives]
Here’s one measure of how the world is heading in a positive direction.
Fifty years ago the epitome of the circus was Ringling Brothers, Barnum & Bailey. With its lion tamers, dancing bears, trick horses, performing elephants, monkeys on bikes, and seals bouncing beach balls on their noses, the implicit message was Man Over Beast. Even the aerialists, tightrope walkers, jugglers, fire-eaters, knife-throwers and human pretzels were an example of Man Over the Beast Within. Today, the epitome of the circus is Cirque du Soleil, whose implicit message is The Celebration of Humanity. Indeed, Cirque leaves most churches in the dust when it comes to inspiring the integration of body, mind and spirit: the criteria for living as a whole person.
Continue reading "Ruthless Saints: A Sign of Life" »
On HBO the other day I saw the last half of the Harrison Ford movie “Patriot Games”. Ford plays one of his customary heroes: a modest, self-effacing family man of enormous intestinal fortitude who stands up to the forces of evil whether they be drug lords, mercenaries or morally bankrupt colleagues within the U.S. government––and of course usually it’s all of the above and a few more for good measure. Plus, just in case there is a belly button of doubt that Mr. Ford’s character walks on ethical water, his mentor is played by (who else?) James Earl Jones.
In general, I’m not a fan of films where you know the outcome before the opening titles and the only suspense is “how” the bad guy and gal will experience their just desserts. And while “Patriot Games,” in my abbreviated viewing, seems to be such a film, predictability isn’t why I find it an unfortunate role model of what it means to be a healthy person.
Continue reading "They Kill Us. We Kill Them. We Humans Have Just Got To Get More Creative" »